Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Sunday, March 17, 2013

A [Concerto] for Sunday: Elgar's Cello Concerto in E minor, Op. 85

[Mom, this post is for you]

I think there comes a point (or many points) in a child's life when one must admit that their parents were right, at least about a few things, or (more likely) about many things. This is one of those moments.

Growing up, especially in my teenage years, I didn't quite understand my parents' insistence on listening to classical music. As an avid pianist, I had a certain appreciation for a well-written classic. But must we listen to KBAQ every Sunday morning? Must we find a classical radio station on every roadtrip? Do we have to break out the symphonies when cleaning the house? Can't we listen to something else for a change? [accompanied by the perfected thirteen-year-old eye role]

I was sick of playing Chopin's Rondo during piano lessons. I didn't want to listen to any more Bach. The musc was old, the masters were dead: Let them rest in peace. 

There is this process, however, of maturation that (quite fortunately!) begins to reshape and remodel tastes of the adolescent brain and (oh, thank God!) remove the voracious appetite for catchy, repetitive, mind-numbing pop music- a process that might lead one to eventually look in the mirror and discover (how did this happen?!) that one quite resembles her mother... [In some regards this might be every girl-child's nightmare, but not all inherited traits are undesirable]

All of this is to say, by the time we decide to have children, I told Nate the other day, I will likely carry on the family tradition of torturing my children with that dreaded classical music. (He's not quite on board with this yet, but just wait- you'll see....). **[note: in my mind this child-having will not happen yet for about ten years, just in case anyone is getting ahead of themselves.] Tucson's classical music station, with its predictable, yet strangely comforting, baritone intonements of the title, composer, and performer of each piece by a seemingly-omnipotent yet unremarkable announcer, now has a home on my radio presets and, though it must play second fiddle to NPR, still manages to beat out that local "mix" station a good chunk of the time [in my "old age" and with this newly discovered phenomenon of commuting, I have no patience for listening to the same four songs on repeat]. We went to the (excellent) concert of the UA Chamber Orchestra, not just because of a friend's membership in said orchestra, but out of an actual longing for some lovely evening entertainment. 

And thus, with no further ado, I present to you Elgar's Cello Concerto in E minor, Op. 85, performed by the talented Jacqueline Du Pre. Enjoy:



(Take that, ya kids with your blasted auto-tuned racket you call music.)

Sunday, March 3, 2013

Songs for Sunday: Lady Lamb the Beekeeper

I have to thank NPR for this one. After hearing a charming interview on All Things Considered with Aly Spaltro, known on stage as Lady Lamb the Beekeeper, on the drive home, I just had to go find a bit more of her music. This girl has an incredible voice, and her brand new album Ripley Pine is fantastic. I highly recommend getting yourself a copy. If these videos aren't enough to convince you, check out her live session with The Wild Honey Pie (and download a free copy of her performance).



Sunday, February 24, 2013

Songs for Sunday: The Roots and Sufjan Stevens


These four tracks, which comprise the Redford suite that concludes The Roots' Undun album, have been playing on repeat for about three days as I work on thesis edits. Love love love. (The rest of the album is pretty nice as well.)


Tuesday, February 5, 2013

A Late Song: Freelance Whales

This is a bit past Sunday...and Monday too for that matter. My excuse: Deadlines have been looming and I've been buried in an avalanche of Russian essays (in Russian), GIS visualization (map-making in layman's terms), and trying to help put together a lecture that will convince a bunch of eighteen-year-olds that there is much more to studying applied political economy in Europe than study abroad excursions to Spain. 

I'll be back tomorrow to write some and share some wonderful finds I've made in the past few days, but in the meantime I want to share this song from a great little band that my sister introduced me to, the Freelance Whales. Their closest relation in sound is probably Arcade Fire, another love of mine, with their astral sound and choice of instruments. Here's their song "Aeolus," performed live:



Freelance Whales performing Aeolus from their new album Diluvia, available now. 
Get it on iTunes here: http://smarturl.it/freelancewhales 
Find out more here: http://www.freelancewhales.com

Sunday, January 20, 2013

A Song for Sunday: Of Monsters and Men

We have successfully moved, and now we just have the daunting task of unpacking all the boxes... Listening to Of Monsters and Men makes the task a little bit better:


Of Monsters And Men perform "King And Lionheart" Live @ Billboard's Tastemakers Session

Friday, December 14, 2012

Hey, It's Christmas!


Christmas is almost here, which means that the holiday music season is in full swing. And the third volume of Hey, It's Christmas is out! Hey, It's Christmas is a collaboration between a bunch of indie artists to cover holiday classics. Some of the renditions are absolutely breath-taking, some are lots of fun, and few are lovably weird. And, best of all, you can download the album for free (though they do take donations)! Click over to their site for the download.

P.S. You can still get Volume One and Volume Two

Thursday, December 13, 2012

Short Film: В лесу родилась ёлочка (The Forest Raised a Christmas Tree)

I have a delightful Soviet cartoon for you today. "В лесу родилась ёлочка" is probably my favorite Russian holiday song, and this little cartoon makes it even better. For the non-Russian speakers, I've included a translation of the song under the video. Basically, every night at midnight in the artist's studio, all of the pictures come to life, and on this night they decide to watch a movie together. It's quite a fun little holiday cartoon.

Fun Fact: Even though the song translates "ёлочка" as a "Christmas tree," it would be more accurate to call it a "New Year's tree." New Year's (Новый год) is a much more significant holiday in Russia than it is in the US, and most people decorate New Year's trees rather than Christmas trees. 


Made in 1972

English Lyrics:
The forest raised a Christmas tree, 
‘Twas silent and serene 
In winter and in summer 
It was slender and so green. 
The wind sang it a lullaby: 
Sleep Christmas tree, sleep tight! 
The snow was making clothes for it:
 It was a pretty sight! 
A trembling bunny put himself 
Beneath its arms so wide; 
The hungry wolf just passed him by - 
A lovely place to hide! 
Some sleigh bells rang throughout the woods,
 The snow was crisp and clean, 
A horsey brought a forester 
To hew that tree so green. 
And now it comes to visit us, 
With lights and garlands bright, 
While all the children dance and sing
 To greet it with delight!

(Translation by Arthur Durando and Irina Popov)

Sunday, December 2, 2012

A Song for Sunday: Jenny O.

After spending well over eight years in a variety of performing art groups where preparation for Christmas performances begin in August, I would say I'm more familiar with Christmas music than any one person should be. (Calculating that one should listen to Christmas music approximately one month a year, I've had enough exposure to last me at least forty years.) There are still some songs that are old favorites that I don't mind listening to a few times, some that have been so imbued with memories that they probably (hopefully) can't get too overplayed. But every so often I make my favorite sort of holiday find, a new, unfamiliar song that still captures that worn, familiar warmth of the holiday season. "Get Down for the Holidays" by Jenny O. is one of those songs.



"Get Down for the Holidays" by Jenny O.

Sunday, November 25, 2012

A Song for Sunday: Metric

Love Metric. Love this video. Love NPR too. All of this is pretty great.



See more Field Recordings at: http://www.npr.org/series/144918893/field-recordings 
In a matter of minutes, Metric singer Emily Haines and guitarist James Shaw went from rocking in front of thousands of fans on the main stage of the Sasquatch Music Festival to hiking through a rumored thicket of rattlesnakes overlooking the Columbia River. The duo gamely made the trek for an acoustic performance of "Synthetica," the title track from Metric's new record. Stripped of an electric guitar and moody reverb, Haines and Shaw performed a version of the song pretty enough to challenge the sweeping sunset behind them. There couldn't have been a more appropriate backdrop for Haines' refrain, "Hey, I'm not synthetica." 
Credits Producers: Mito Habe-Evans and Saidah Blount; Videographers: Jim Beckmann, Mito Habe-Evans and Scott Holpainen; Sound engineers: Matt Ogaz and Kevin Wait; Special thanks to Sasquatch Music Festival and Live Nation

Sunday, November 18, 2012

Songs for Sunday: Mike Edel

My latest favorite find: Mike Edel, who is apparently quite well-known in his current home city of Victoria, British Columbia (Canada). His debut album, The Last of our Mountains, came out last year and included this lovely song:




We trekked to the harvest on the prairies looking for ocean skies and fields to make a film about the search for youth, the loss of it and a need for something outside of us. It took 5 good friends, a van, dog, gun, mirror and many wheat fields until we looked no further and wheeled ourselves back to the Coast. The direction was a collaborative effort of Jordan Clarke (commongood.tv), Kasey Lum (http://cargocollective.com/kaseylum) and Mike Edel with the help of the long haired fellow (Josh Bauer), the girl (Julia De Courcy) and Zip (the dog).

On a somewhat unrelated note, here are a few of my favorite comics pertaining to Canada by the wonderful Kate Beaton (this one is the best)

Sunday, November 11, 2012

Songs for Sunday: Laura Marling

Laura Marling always reminds me of winter. And with the temperatures dipping low and the wind blowing cold, today seems like just the day to curl up with a blanket and remember that winter is coming. 




"Sophia" is taken from Laura's album "A Creature I Don't Know"  
Virgin Records / Ribbon Music, produced by Ethan Johns..





Laura performs What He Wrote from her second album I Speak Because I Can. First broadcast 23rd November on Live From Abbey Road (Series 4 Episode 7 ). Check HD stream for best audio.




"Goodbye England" Laura Marling live at Crossing Border Festival 2011

Monday, November 5, 2012

Monday's Music: David Byrne & St. Vincent

A friend introduced me to this wonderful collaboration Saturday morning, and I've been listening to them near-constantly since then. "Who" is the first track on the fantastic album that David Byrne & St. Vincent recorded together. (Some of you may have seen them perform this track live on the Colbert Report last week.)



The first video from David Byrne & St. Vincent's collaborative album "Love This Giant", out September 10(UK)/11(US) and available for pre-order: http://bit.ly/RuaPCR 
Directed by Martin de Thurah - http://www.dethurah.dk/ 
http://lovethisgiant.com/
http://www.davidbyrne.com/
http://ilovestvincent.com/
http://www.4ad.com/


This video is pretty great, but I'd argue that they're even more impressive live-- check out their performance here.

Sunday, October 28, 2012

Songs for Sunday: Bon Iver

This week I found another amazing live session that I simply must share. This performance by Bon Iver at AIR Studio's Lyndurst Hall, a former church and missionary school, features one of the most beautiful renditions of "Babys" I have ever heard. All of these pieces are performed by Justin Vernon and Sean Carey on two grand pianos, and the result is absolutely stunning. 




1. Hinnom, TX 
2. Wash. 
3. I Can't Make You Love Me 
4. Babys 
5. Beth/Rest 
Director: Iain Forsyth & Jane Pollard 
Recording & Mixing: Jake Jackson with Brian Joseph 
Recorded in London at AIR Studios, October 16, 2011 
"Hinnom, TX", "Wash.", "Beth/Rest" (c) 2011 April Base Publishing (ASCAP) "Babys" (c) 2009 April Base Publishing (ASCAP) "I Cant' Make You Love Me" (c) 1991 BMG Songs, Almo Music Corp., Bird Blues Music, Hayes Street Music (ASCAP)

Monday, October 22, 2012

Monday's Music: The Lumineers

I think this live sesssion by the Lumineers was my favorite find this weekend. I know "Ho Hey" is the song that everyone's familiar with, but "Charlie Boy" is my favorite song by them by far (cello + mandolin= love). Overall, I think it makes for a great listen on a sunny Monday morning:



The Lumineers performed a live, intimate session with Liveset from @thecajunboy's house in the lower garden district of New Orleans. The Lumineers played, Liveset filmed, Brett cooked, and we all retired to his back porch after the show to relax and hear stories from the road. Produced by Ross Hinkle, Rachel Puckett and Ben Lavender for Liveset. Shot by Hunter Holder. Bottlerocket mics provided by Tyler Barth at Blue Mic. With special thanks to Wes, Jer, and Neyla, Hank and Brett (@thecajunboy).

Sunday, October 14, 2012

A Song for Sunday: Feist

I stumbled across this beautifully haunting cover by Ben Gibbard and Feist of Vashti Bunyan's "Train Song" the other day, and I couldn't help but share it. It calls to mind the coming chilled nights and winter storms.



"Train Song" cover by Feist and Ben Gibbard from the album Dark Was The Night. The original was released as a single on Columbia in May of 1966 by Vashti Bunyan.


P.S. Another Feist duet




Duet of the Title Track, "Look At What The Light Did Now" from the documentary film about Feist and her collaborators. Directed by Anthony Seck. Produced by Jannie McInnes. Screenings in select cities. Check listentofeist.com/lawtldn for more details.

Sunday, September 30, 2012

Songs for Sunday: William Fitzsimmons

William Fitzsimmons is an old favorite of mine-- his songs are always gorgeous. 



Filmed by Josh Franer. "Beautiful Girl" appears on William's album 'Gold In The Shadow.'



"Please Don't Go," live in Marburg Germany, 2 Dec 2008 

Monday, September 24, 2012

Music Monday: Mumford and Sons

Babel is finally out in the U.S.! After my first listen, I can say I'm quite content. It's made for a happy Monday morning.

And since I can't help but share, check out "Reminder," the title track ("Babel"), and a few other tracks shared by the band. 


The album is now available! We are proud, elated, and impatient to share it with you. Enjoy x - M&S

Sunday, September 23, 2012

Songs for Sunday: Andrew Belle

Andrew Belle is not a widely-known singer-songwriter, but his songs are simple, lovely, and perfect for fall. So I thought I'd share a few of my favorites. "Daylight" is the title track of Belle's latest EP.


The Daylight is the first song Andrew Belle's latest release, THE DAYLIGHT EP, available on Feb. 28th, 2012
Purchase now! http://itunes.apple.com/us/album/the-daylight-ep/id503571423
http://www.andrewbelle.com
http://www.facebook.com/andrewbelle


And this is his wonderful cover of Bob Dylan's "Knocking on Heaven's Door."

 
Andrew Belle covering "Knockin on Heaven's Door" by Bob Dylan for American Songwriter's 30 Days of Dylan.

Monday, September 17, 2012

Monday Music: The Perishers

The Perishers are a pretty awesome Swedish band that's been around for a while. "Nothing Like You and I" is my favorite song by them. It's pretty great. Enjoy:



P.S.
I know, I know. I took the day off yesterday. Mental health break :)

Sunday, September 9, 2012

A Song for Sunday: Evening Hymns

Evening Hymns' new album, Spectral Hymns, is absolutely fantastic-- full of haunting melodies, beautiful harmonies, and simple instrumentation.  I've been listening to it for the last two weeks straight. "Family Tree" is their latest single from the album.


This record is now available to buy: http://eveninghymns.bandcamp.com/
Video by Istoica in collaboration with James Cooper, with editing by Mary Gerretsen.
Oh, and he has an awesome beard.